Movie Review: Scream

Even though Scream’s script is the best aspect of the film it would be remiss not to mention Craven’s involvement. A legend within the genre, Craven is clearly having fun here. In fact Scream is somewhat of a spiritual sequel to Craven’s New Nightmare as both films deal with the idea of bringing the horror film to life. But whilst New Nightmare is a more serious film, looking at the idea of how horror fiction affects those who create it, Scream is clearly concerned with satirizing the genre. This doesn’t mean the film is a spoof as Craven still offers a satisfying horror experience. He exposes the many flaws of the genre, but at the same time shows great admiration for it as well. Focusing on mystery and suspense, Craven paces the film perfectly. The film may seem like a quick fire scare a minute ride, but Craven is actually patient and builds just the right amount of tension before unleashing his next jump on the audience. It is a technique that highlights that Craven hasn’t lost his touch as a horror director and makes Scream a showcase for his considerable talents.

Another solid addition to the film is Marco Beltrami’s unconventional score. His insistence to not use a familiar horror soundtrack gives the film a unique tone. Beltrami’s score has more in common with Western soundtracks, especially Ennio Morricone. Deputy Dewey (David Arquette) is given a guitar theme, which is particularly reminiscent of Morricone. But the highlight has to be the haunting “Sidney’s Lament,” which is used to great effect throughout the film.

Although the music enhances the performances of the cast it is fair to say that they all do a great job, with one exception, Neve Campbell. Campbell was already popular due to Party Of Five and Scream shot her even further into stardom. However she is the film’s weak link due to her lacklustre performance. Sydney is in essence the perfect final girl as she is a simpering character who exudes innocence, but is also resourceful enough to not be a complete victim. But Campbell fails to land the delivery, especially in the more emotional scenes. Campbell doesn’t damage the film as an impressive cast surrounds her. Arquette and Kennedy generate a lot of laughs throughout. Skeet Ulrich and Matthew Lillard are excellent in the climax as they relish the film’s “twist.” But it is Courteney Cox who comes across the best (surprisingly). There is something inherently likable about her portrayal of Gale Weathers. She’s sassy and strong, but doesn’t actually die which is surprising.

But for all the talent on display Scream is perhaps best remembered for bringing a postmodern spin on horror with its meta-narrative. Rather than distance itself from the slashers that came before it, Scream actively embraces them. It may satirize aspects and deconstruct the conventions, but at the end of the day the film is a mishmash of styles and techniques that pays homage to the greats. The killing of the film’s biggest star (Drew Barrymore) in the opening sequence is a great nod to Hitchcock’s Psycho. These homages and references work as an entertaining gift to horror fans.

Scream is a celebration of the slasher film, but it is also an excellent film in its own right. A fresh take on a tired genre, which ironically lead to a boom in slasher films that stagnated the waters even further, Scream stands as a classic due to Williamson’s intelligent script and Craven masterful direction. The film created a new horror icon, delivered an entertaining ride and critiqued the horror genre. And did all this with a knowing wink to the audience.